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Kyndrify

The executive's whole job on camera

One recording, 15 to 90 seconds

Made on their own phone, from a link. Everything after it belongs to the person who writes the posts.

Can a CEO post video every week without filming every week?

Yes. The executive records one short consent clip from a link on their phone, once. That builds their Digital Twin, and after that the comms lead writes each post, plans it with Kae and renders it in the executive's own face and voice. The executive reads the plan and approves it. Kyndrify makes the video; it never posts anything for you.

  • Who it is for

    Founders, CEOs, and the communications or marketing lead who owns their calendar of posts.

  • What you need

    One clear photo, a short voice sample, and one consent recording between fifteen and ninety seconds, made by the executive on their own phone. ten seconds of clear audio is enough for a voice that is truly theirs, and cloning it works on every plan, Free included.

  • What it costs

    A paid Digital Twin video bills 152 credits a second, with a 120 credit floor on any single render. Plus is $49 a month billed yearly, or $59 month to month, for 28,000 credits a month, which is 184 seconds of finished video. Pro is $99 a month billed yearly, or $119 month to month, for 56,000 credits and 368 seconds, and it is the plan that adds seats. Free starts with 8,400 credits once, and a Digital Twin of your own executive starts on Plus.

  • What it does not do

    It does not post or schedule anything. It does not cut a long recording into clips. It will not record the consent on the executive's behalf. And it promises nothing about who watches the result.

The whole ladder, and what a month of credits buys, is on the pricing page. If you would rather see the plan before the posts, Kae plans the script, the shots and the voice before anything renders.

The wall

Why the executive video keeps not getting made.

The draft has been in your comms lead's doc since March. The studio afternoon was booked, moved, and then the quarter ended. The agency version reads like the annual report, so you edit it until it sounds like nobody, and then it does not go out.

  • One shoot day produces six posts, and then nothing for three months.
  • The half day you would need is the half day you do not have.
  • The ghostwritten draft is safe, correct, and does not sound like you.
  • The clip sits in review long enough that the point you were making has moved on.
  • Your comms lead has the ideas and the calendar. What they do not have is your face.
  • The people who post every Tuesday are not better writers. They just have a way to get it made.
Two ways

Two ways a quarter of posts goes.

The way it goes now

  • Ask for a studio afternoon. Get one in five weeks. Move it twice.
  • Shoot six posts in a day, because that is what the day holds.
  • Post them over three weeks. Then nothing until the next shoot.
  • The next ask starts from zero, and so does the calendar.

The way it goes with a Digital Twin

  • Record one clip on your phone, fifteen to ninety seconds, once.
  • Your comms lead drafts five posts on Monday, from the rota.
  • Kae plans the set and shows the cost before anything runs.
  • You read the plan on your phone and change one shot.
  • Five render on Tuesday, and the calendar has a month in it.
Why it holds

Four reasons the calendar stops being the blocker.

  • One recording is the whole camera job

    Fifteen to ninety seconds on your own phone, once. Nobody books a room, nobody waits for a crew, and nothing about it needs to be in your diary twice.

  • The writing sits with the person who already writes

    Your comms lead drafts from things you said in meetings this week, instead of asking you for a half day that keeps moving.

  • Approving is reading, not filming

    You read the plan on a storyboard and leave a note on the one shot you want changed. Nothing is made until you approve it.

  • A month of posts comes out of one sitting

    Five drafts on Monday, five renders on Tuesday, and four weeks of the calendar has something real in it.

The rota

Five posts, one sitting, once a month.

Not thirty ideas. Five shapes you can fill again next month without thinking about it. Week one is the call, week two the number, week three the decision, week four the credit or the answer. Your comms lead drafts all five on a Monday from things you already said in meetings, and renders them in one sitting. At 152 credits a second, a post of about forty-five seconds means the Plus plan's 28,000 credits a month covers four of them, and the Pro plan's 56,000 credits covers eight.

  • The call

    Something you believe about your market that not everyone agrees with, and the reason you believe it. This is the one only you can post.

  • The number

    One figure from inside the business and what it changed. Not a target. A thing that already happened.

  • The decision

    Something you chose this quarter, and what you gave up in order to choose it. The trade-off is the post. The decision on its own is an announcement.

  • The credit

    One person on your team and the exact thing they did. Name them. Saying the team did great work is not a post, it is a thank-you nobody can picture.

  • The answer

    The question a customer asks in every first call, answered the way you actually answer it.

The workflow

How the two of you split the work.

Six steps, and exactly one of them needs the executive in front of a camera.

  1. 1

    You record the consent clip.

    A link opens on your phone, you read what is on the screen, and it takes between fifteen and ninety seconds. This is the only step nobody can do for you: the recording is checked against your face before the Digital Twin can render anything, and that check is the reason the rest is safe to hand over.

  2. 2

    Your comms lead builds the twin.

    One clear photo and a short voice sample, from your Workspace. Ten seconds of clear audio is enough for a voice that is truly yours, on every plan, Free included. A Digital Twin of your own starts on Plus; on Free you get one Starter Twin and a short house-made sample of it, which is a way to see how this works rather than a way to run the rota.

  3. 3

    They draft the five posts.

    From the rota, from things you already said in meetings, from the question that came up twice on calls this week. Nothing here waits on you.

  4. 4

    Kae plans the set.

    Kae is our AI creative director. She plans the script, the shots and the voice on a storyboard, and shows what it will cost before anything runs, one line per item. Planning sessions come with every plan: 5 a month on Free, 20 on Plus, 60 on Pro a month. Max and Ultra carry no monthly session count, within reasonable use.

  5. 5

    You approve it.

    Your comms lead shares the room with you by name, you read the storyboard, and you leave a note on the one shot you want changed. It is not a public link, and somebody let in cannot invite anyone else. Two people working in one Workspace need a seat, and seats start on the Pro plan.

  6. 6

    They render and post.

    A script becomes a video in your own face and voice: up to thirty minutes in one paid video, and up to 1080p from the Basic plan up. A video of your Digital Twin comes out vertical, which is the shape a feed wants anyway, and there is no aspect to pick. Then your comms lead posts it, the same way they post everything else. Kyndrify does not post for you.

The script rules

Sound like yourself, not a press release.

Write it the way you said it on the call.

Read the line out loud first. If you would not say it to one person on a call, cut it.

One idea per post.

A post with three ideas in it is three posts you did not make.

Keep the number, cut the adjective.

Cutting onboarding from nineteen days to six says more than dramatically improving onboarding, and it says it in fewer words.

Name the person and what they did.

One engineer rebuilt the intake form in a week: that is a post. The team shipped improvements is a memo.

Say the thing you were about to hedge.

If the hedge is the only reason the sentence feels safe, it is not finished. Either say it, or post something else this week.

Open with the sentence, not the run-up.

Nobody needs the throat clearing, and on a phone the first line is most of what they see.

Delete these words on sight.

Thrilled to announce, excited to share, humbled, honoured, journey, synergy, ecosystem, unpack, in today's landscape, the future of, proud to be part of. Every one of them belongs to a sentence that could have been about anybody.

Said plainly

What this does not do for you

Five things worth knowing before your comms lead starts.

  • It does not post or schedule anything.

    Kyndrify makes the video and hands it back. Nothing connects to a feed, nothing goes out on a timer, and nothing is published unless a person on your team publishes it.

  • It will not record the consent for you.

    The recording is checked against the executive's face before the Digital Twin can render, so a comms lead cannot stand in. This is the one part of the job that stays with the person whose face it is.

  • A Digital Twin of your own starts on the Plus plan.

    A Free Workspace gets one Starter Twin and a short house-made sample of it, and 8,400 credits once, with a render running to 60 seconds at a time. That is a way to see the product, not a way to run the rota. A voice that is truly the executive's works on every plan, and paid output carries nothing visible burned into the picture from Basic up.

  • Two people in one Workspace need a seat, from the Pro plan.

    The comms lead and the executive are two people, and that is the arithmetic this page is built on. Pro and above include a seat in the base price. The pricing page has the rest of the ladder.

  • Nothing here promises anyone will watch.

    No reach figure, no engagement figure, no follower claim. What this page promises is that the video gets made, on a week you would otherwise have skipped.

What stays yours

Kyndrify makes the videos. The rest is yours, and we would rather be plain about that now than have you find out later.

Say it is AI, in the caption. Put the line where a person reads it, every time. Inside the video on its own is not enough. Two that work: “Made with AI, using my own recorded likeness and voice. The words are mine.” And “This video uses an AI version of my face and voice, with my consent on record. I wrote it.” Built-in AI labelling is still rolling out across output types, so a publisher writes the disclosure line rather than assuming the file carries it. The platforms carry their own AI-disclosure policies on top, and those are yours to follow. How we handle consent, disclosure and content credentials is the longer version.

If your company is public or regulated, review it like a press release. It is you, on camera, saying something your team wrote. Material information, quiet periods and forward-looking statements are your legal and communications teams' call, and they always were. Kyndrify does not publish or schedule anything, so the timing stays with you too. This is not legal advice, and no tool makes a disclosure obligation go away.

Your likeness stays yours. A real person's Digital Twin needs a current consent record before it can render, the recording is checked against your face, and consent can be withdrawn. When it is, the twin stops rendering. The biometric information privacy notice sets out how that information is collected, stored and deleted.

Decide who owns the Workspace before you build the twin. A founder's Digital Twin inside a company-owned Workspace is a question with an answer, and it is much easier to answer on the way in than on the way out. Write it down with whoever handles your employment paperwork.

Checked September 2026. This is a summary, not legal advice.

Questions

What an executive asks before they record

How much of my time does this actually take?
One recording, between fifteen and ninety seconds, from a link on your phone. That is the camera part, and it happens once. After that your time is reading a plan and saying yes, or asking for shot three to change. The writing, the planning and the rendering happen without you.
Can my comms lead run all of it?
Nearly all of it. They build the Digital Twin, write the posts, plan the set with Kae and render. The one thing they cannot do is record your consent, because the recording is checked against your face before the twin can render anything. Two people working in one Workspace need a seat, and seats start on the Pro plan.
Will it sound like a press release?
Only if somebody writes one. The six rules above are the fix, and they are your comms lead's job, not the software's. Kae writes a first pass and you can change every line of it before anything renders.
Do I have to say it is AI?
Yes, put the line in the caption. Finished videos carry machine-readable disclosure, and paid output has nothing visible burned into the picture from the Basic plan up. Built-in AI labelling is still rolling out across output types, so a publisher writes the disclosure line rather than assuming the file carries it.
What happens if I change my mind, or leave the company?
Consent can be withdrawn, and when it is, the Digital Twin stops rendering. That is why it is worth deciding up front whose Workspace holds the twin, yours or the company's, and writing it down.
We are a public company. Is this a disclosure problem?
Not by itself. It is a video of you saying something your team wrote, so send the script through the same review a press release goes through, and keep the same rules on material information and forward-looking statements. Those obligations are yours. Kyndrify does not publish or schedule anything, so nothing goes out before your team says it does.

Record the clip this week, and get the month back

Build your Digital Twin, record your ninety seconds, and let your comms lead draft the first five posts from the rota. A render on Free runs to one minute, and starting costs nothing and needs no card.